![]() In between her heroic adventures with the Trine, however, she is still a thief at heart and spends time seeking treasure. She begins to show some care for her new friends and manages to surprise them on more than one occasion. However, when she touches the Trine, she becomes stuck to it, and when Amadeus and Pontius come to investigate the noise, their souls are bound together.Īs the game series progresses, Zoya becomes more noble and amiable, even displaying a sense of humour. She had heard of an ancient object with tremendous value hidden in the Astral Academy, and takes advantage of fact that the undead army has scared away the inhabitants there is no-one to keep the treasure safe. Most superfluous : Presenter Kelly Le Brock, who stood beside the best makeup winners in a revealing black gown with a “What am I doing here?” expression.Zoya (otherwise Zoya Mistr) is a Thief and came to the local kingdom from a distant land. Most Sensible Presenter: Candice Bergen, backstage, after being asked if she had an aversion to working with her director-husband Louis Malle. Abraham, musing about roots, reported that two TV crews were in the backyard of his mother’s house in El Paso. “They’re two sides of the same coin,” said Abraham, whose Texas roots were displayed only by his alligator-skin cowboy boots. Murray Abraham (“Amadeus”), who clutched his Oscar and announced it really belonged in part to his co-star (and fellow nominee) Tom Hulce, who played Mozart to Abraham’s Salieri. Prince apparently doesn’t understand the rituals of Hollywood: He took the award and left the building. ![]() The star of “Purple Rain” did not “make it up here,” announced an Oscar spokesman to a grumbling crowd-the same crowd that had just applauded Prince in an impromptu show of affection. Most Anticlimactic Moment: The backstage no-show of Prince (real name: Prince Rogers Nelson) winner for best song score. Most Pointed Offstage Line: From last year’s best actor, Robert Duvall, on the import of Oscar to his career: “It’s happened and now it’s over, period.” As for the ephemeral side, Shaffer, when asked about the upcoming music video from “Amadeus,” said, “Good heavens, what’s that?” Most Philosophical Winner: Playwright-scenarist Peter Shaffer (“Amadeus”), who spoke of the win as proof that “art is eternal as well as ephemeral,” adding that “Amadeus” has “done at least as much as all the music appreciation courses in the world” to further knowledge of classical music. Most Self-Effacing: Presenter Steve Martin, playing good sport by showing up after being overlooked by the academy membership for his much-praised performance in “All of Me.” When someone remarked to Martin that a consensus of critics thought he should have been nominated, he replied: “Yeah? Well, they were wrong.” The moment was eerie in its recollection (or mirroring ) of the plot of “The Killing Fields.” “She saved my life, but finally I could not save her life,” added the Oscar winner. Ngor told onlookers the personal saga of losing his “sweetheart, his comrade lady” in the Cambodian conflict depicted in the film. He simply began what amounted to a five-minute speech describing “The Killing Fields” as “real, but not real enough true, but not true enough.” Ngor, the winner for best supporting actor, who couldn’t wait for the press to start questioning him. There is “quite a bit of Mozart in each of us, and I would dare to say, quite a bit of Salieri.” ![]() “Usually when you have two antagonists like Mozart and Salieri you identify with one over another,” he said. Forman attributed “Amadeus’ ” Oscar sweep to the fact that viewers could identify with both main characters. Nine years ago, the pair stood in the same place of honor for “One Flew Over the Cuckoo’s Nest,” picking up five Oscars, including best picture.įorman pronounced himself “pleasantly surprised” at “Amadeus’ ” eight-statuette win 1982’s “Gandhi” was the most recent film to pick up eight Oscars. “Amadeus” producer Saul Zaentz and director Milos Forman looked content but utterly calm, as if they were picking up a library book rather than a fistful of Oscars. Oscar at 57 was as successful as Salieri himself, and nearly as dry. Antonio Salieri, the rival of Wolfgang Amadeus Mozart in “Amadeus,” would have been right at home backstage at the Academy Awards at the Music Center Monday night.
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